Following Curiosity

What should be used to introduce a new or potential player to…

Use whatever interests them.

You are assumably playing this game, this teaching game for them, to help them, to expose them, to pilot their ignorance toward their curiosity with a steady hand – and not for you or your interests. It doesn’t matter what game that is, how unapproachable or complex you think it might be, or any of the rest. That’s your head, your evaluation, your value system and not their’s. They are interested and that interest is effectively the universal solvent for any and every problem.

Oh look, I got completely smashed and destroyed and I have no idea how or why that happened let alone what I could possibly do about that, this is incredibly confusing and I simply have no idea…isn’t that interesting!?”

And lo! That implacable unconfrontable morass of a game gradually dissolves before nothing more amazing than someone just being interested. Don’t waste the primary weapon and faith the other player is entrusting with you.

Inflationary Spending

A fundamental question is how to deploy capital into already extant companies and the friction and costs thereto. Possible methods include:

– Half-pays: intercepting part of the flow of capital from train-runs into the treasury. 18India and Rolling Stock perhaps take that particular pattern furthest in allowing the president to freely declare any between $0 and the full value of the the treasury plus run. Partially along this line, 18EA allows the company to “pad” the dividend with capital from treasury – often used to edge into a higher multi-jump stock increase.

– Revenue-generating assets sold/held by companies instead of players. This can be anything from cross-invested shares in 1841 to private companies with revenues, to bonds and other derivatives, to inter-corporate loans/securities and so forth.

– Horizontal transfers from other companies or other financial instruments, possibly newly floated or created for the purpose, can be interesting. Mergers, acquisitions, take-overs of objects with assets…can all fit in here.

– Direct access to the president’s personal cash. While 1832 has the London Bank private (company and personal cash are no longer separated), emergency train buys are the classic form of accessing presidential cash, but there are other ways from 1831 allowing presidents to freely contribute to train buys (and in some games, also other purchases), to even billing all shareholders for such elected purchases (pro-rated by the percentage held – yes, just being a minor share-holder is an ongoing risk in such games).

– Then there are loans. The most common form have the companies take the loans (eg, 1817, 1856, etc), but in some cases players can be the ones taking loans (1824, 1844, etc), sometimes solely by force (had to buy a train for a company and couldn’t afford it), and sometimes electively. Typically loans exert some sort of pressure, be it a constraint on future choices (eg most Double-O games), or interest payments (eg 1817, 1856, etc), or a long-term penalty on final score (various Vellani games).

– Company-issued derivative assets, be they 1817’s shorts or 18NE’s bonds or 1849 Electric Dream’s bonds or the Bill Dixon games with re-issuing treasury shares (also seen in 18C2C), or other ways of dynamically increasing the share issuance (ie the company dilutes its extant shares by issuing more shares that might be bought – ala 18201)…etc. (This is an area in which I expect to see considerably more innovation)

More broadly, the costs of redeploying capital are a largely untapped and rich field to be explored in 18xx games.


  1. I should note that the cost of deploying capital in 1820 is particularly high, averaging just over 40% in the early game (spend $100 in order to deploy $60 of capital) and varying from there onward. 

Falling Down The Sky Above

A play in three acts.

Act 1

I first meaningfully encountered the 18xx during a consulting gig in Groton Connecticut. It was in the rather grim basement of Citadel Games, the local game store in Groton. The game was 1870, the teaching was absent, I was out of my depth and adrift in multiple dimensions and I entirely and vehemently foreswore the family of 18xx games.

Act 2

Jump forward a few years and back to California and I began to think that I’d been unfair, I clearly didn’t understand the 18xx and yet I’d damned them. That seemed stupid. I’d been stupid and could do better. So I started working on 1830 and divers other games with a local mate.

It did not go easily.

Many things will submit before mere persistence, but it might take a while.

To give a sense of scale, several years after resuming my assault on the 18xx, we were up past a hundred 18xx games played, and I was damned if I was going to give up. I’m tempted to say, “It was personal”, but it really wasn’t. I’d said I’d not render judgement until I understood them and that was enough to persist.

By this time, after not much under a half dozen years of trying to push myself into the 18xx, I wasn’t doing noticeably better. I’d still only won the one game a few years back – which we’re convinced was a banking error – and more importantly, neither clarity or ability were dawning. I continued to not only lose and be confused and adrift, but to be destroyed and routed in every game. Every game, every time. Like a comatose sheep to the slaughter.

Act 3

A change of approach seemed in order.

I setup an 18xx-playing group: SFBay-18xx, a sort of sub-chapter of the South Bay Boardgamers, and we started playing 18xx at least once a week and often two or three times a week. Pretty much the same handful of people every week and a fairly small roster of games (almost all bought off the secondary market).

And suddenly, shockingly, gob-smackingly, things started to work for me. I tried gambits and…they worked! (They’d never done that before) This was different. I was able to make plans and carry them out, to make and test hypotheses, and thus to learn.

Previously I’ve written that I was unlocked because now when I tried things, they weren’t immediately shut down by a more skilful player exploiting my execution weaknesses. Now I could try things and even though my execution was fumbling and imprecise, I could see them (haltingly) work because my opponents didn’t know any better than I did. Now not everything failed. And I could see their attempts and struggles and failures and partial successes as well.

Maybe that was it, but I’m not entirely convinced. It is a bit too convenient and neat a post-facto explanation. It also wasn’t the only change I made – I’d also started spending at least 30 minutes on analysis for every hour I played. If I played a 6 hour game, then I spent at least 3 hours (usually more) working through that game and its implications. Sometimes I put in 2 hours for every hour played. That also had value.

We played a lot of…oh, go look at the geeklists: they’re all there. One result now is that I’m far less convinced of the wisdom of gateway games, teaching-games, on-ramps to the 18xx then I was then. I expect we’d have done better just diving into whatever interested us and carrying the new people along for the ride. Enthusiasm and interest are great vehicles. If there’s both interest and fortitude, I see little reason for players not to start with any title. Pick your interest and dive in.

So play and play and learn I did, ~rapidly unrolling and testing, verifying, vetting the ideas, notions, gambits and conceits I’d built up over the previous years. Even more importantly, I started to build a conceptual language of how the games worked, of what the immediate forces were, what the shaping forces were, how the games were structured, how they were shaped and defined, and what the players did both in the details and at the almost macro-economic level in their game decisions.


And that was maybe 6 years ago. That language and its backing conceptual framework is and has been my most valued take-away. Much has changed since then and I’m still working on that understanding except that now my primary investigation tool is game design.

meteing capital

On the difference between full and incremental capitalisation systems:

In full capitalisation games a little money creates and controls twice as much money. You invest $500 and get to control $1,000 and only half the income. In incremental capitalisation games there is no inflation of capital. Instead it is about income: a small investment controls a larger income flow. $500 controls $500…and 100% of the income. You don’t get free money, you get control of twice as much income. Which is why high pars are so difficult (you can’t get enough of the income you control to buy more shares quickly enough) and cross-investing rather than a gift of capital is a direct attack (your investment has stolen their income and fundamentally weakened their company for the long term).

Which in sum shows what’s needed for a successful second company: enough opportunity (usually time but can be track etc) for enough income to out-perform other opportunities.

counting cain

I’ve long mused on writing an article on Track-Tile Rosters In The 18xx: Their Use & Management. And clearly until now I haven’t. Well, almost. Perhaps a collection of quotes from my posts on the area will suffice.


A collection of minor and marginally impolitic rants about track-tile management and use in the 18xx, with focus paid to their use and abuse by players and the process of learning to do so.

On the use, abuse and lack of recognition of the existence of the track-game in the 18xx:

Summarising: You and your opponents are either too incompetent to see the track games before you or (less likely but it happens) are unwilling to engage them, and are (as sadly the vast majority of players are) utter crap at offensive track management and route building. Which is fine. It just means that there’s large chunks of the game you have neither seen or learned yet and so you have things still to do. Good stuff. The first step is recognition of the opportunity.

But your and your opponent’s incompetence does not mean that the game is absent.

Done well, track will just seem to happen, to be obviously impossible or inevitable and of course it came out that way. But it came out that way because a good track builder knows the tile distribution and the timing constraints of the game and made it happen. They saw that you’d need a #23 in a few rounds and arranged for them to all be used elsewhere, that you needed a #46 to do the second best thing and…oh well, that too. And that all the tiles they need are just automatically available when they need them, perhaps liberated by the upgrade their other company did just before. And this all looks so natural and easy that it seems incidental.

And it isn’t. No more than Curry’s casually tossed off 3-pointers or Messi’s corner kicks that tuck into the net with the light inevitability of gravity, or Bjoern Borg’s effortless ground play driving McEnroe to his knees – those aren’t just fate either, and for the same reasons.

But most players are crap at track. Really utterly dreadful. Even many of the old hands have just never put in the work to fully learn how to play the track game. Instead they think it is about drawing point-to-point lines using funny-shaped tiles…and then they struggle and hem and haw over irrelevant details and wondering what tile does what or if there is a tile that does this…and never give a thought to having planned those lays three ORs ago and having already considered and managed the implications of the other connections incidentally created by that track lay and what that does to the mix of available tiles and how that affects every other company’s track future…and thus they miss the game staring them in the face.

Which is not to say that the track game is the greatest or best sub-game in the 18xx. It isn’t. It is just one sub-game among several, and it happens to be the one that novice players are most ready to claim is obviously absent…(as I did)…and then spend untold hours faffing about and mostly accomplishing nothing and using that as a demonstration of their conclusion rather than of their inability.

Start out by learning the tile roster. Every tile, every count, and all of its connectivity and upgrade paths. This is easy enough in 1830 – there are only 85 tiles across 46 tile types in the game, so that’s fairly easy. Then start thinking about the implications of dits not upgrading, of the double dits and OO tiles in particular, of how many edges are ever connected by a given track tile and why 1830’s permissive track rules are important there…and then you should be able to give a reasoned argument for why there are only four #7s and #57s in the game…any why, and thus how you setup to use that limit to or against your advantage.

Then leading forward into the particulars, the actual management and definition of the problem space:

How many different possible ways are there for one line of track to cross a tile? A moment’s thought tells you 3: straight, broad & sharp curve. Okay, that’s 9 tiles down: the simple track, dits and yellow cities. Ooops, two of the yellow city types are missing, so 7. (I wonder why? Go to the map and fiddle for a bit, imagine what could be done with broad and sharp curve cities – ooooh, lots of balance problems there!) Next, let’s look at tiles with two routes. How many different possibilities are there? Yeah, a lot. Okay, break it down: How many where the two routes don’t intersect and join at an edge? So two different routes joining a total of four edges.... There are 9. Ergo there are 9 possibilities for green co-existing track tiles, 9 possible double dits and 9 possible brown OO tiles. Of course 1830 doesn’t have them all, for instance there are only 5 double dit tiles – so 4 are missing. Same for the brown OOs. And only 4 greens? Which are missing, and do the different tile types overlap?

Okay what about the green switches? Two routes connecting only three edges? How many of those can there be? Well, obviously one route could be a straight, broad or sharp; and the other route could also be a straight, broad or sharp…but they have to connect, so they could connect at either end of the first track. Oh, and some of them are impossible like straight/straight can never connect only 3 edges and broad/broad is either 3 or 4 edges and is rotationally symmetric…and yeah, a bunch of them fall out for being the same shape, just rotated, like the broad/broad switch is the same track no matter how you spin it. So fiddle with pencil and paper for a few minutes and you should come up with 10.

There are 10 possible green switches. 9 possible coexisting patterns and 10 switches. That’s not so many. Are they all in the game? Grrrrr, some are missing. Which?

Green cities? They connect 4 edges. How many permutations? Yup, 3: X, K and chicken foot. Except the last isn’t in 1830. Hurm, these exceptions are starting to be annoying. Still, we’ve just done 26 of the 46 different tile-types in the game and have spent what? Only a few minutes? More than half way done in so little time or effort.

On to the browns. Oh, they are a mess! So confusing! Or are they? We’ll use the same tools to cut them down to size. How many different routes on a brown tile? Yep, 3 or 4. Unghh. Okay, how many different edges are connected on any given tile? Yep, 3 or 4 and…yes..all the ones with 3 edges also only use 3 routes. And a given edge with track only ever has 1 or 2 routes. Never 3. Okay, grab your pencil and paper: How many possible ways are there of doing that? Now for the 4s, how many? And…which are missing from 1830?

Nothing joins 5 or 6 edges…? Oh, just the brown cities. Everything else tops out at 4. Really, everything. Go check. Does that have any…significance? Yeah, connected edges never go away across upgrades…so every time you lay a yellow tile you’re committing 2 of the 4 possible edges to be connected for the rest of the game. And when you do a green upgrade to a switch you’re committing the 3rd edge…which means that only one more edge can ever be connected. There are only 4 edges, ever.

There are no 5- or 6-edge simple track tiles. So during upgrades you can just count the edges, and if its 3 or 4 its possible, but otherwise, no go no how. Hang on, 1830 track is permissive! That means that when you plop down a green co-existing tile you’ve just dictated, forever, which 4 edges of that hex will be connected for the rest of the game. And switches…they commit two routes to an edge. Once that switch is down, nothing else will ever connect to that edge. Ever. Those are pretty strong commitments that you’re making with simple track-lays. Maybe, just maybe, you could use those little tidbits to make decisions?

So far in this little exercise you’ve spent what? We’ll call it an hour, maybe two hours; a little under or over. And yet you’re already significantly ahead of most 18xx players. Truly. Now keep going and figure out some more patterns. As you’ve seen, it isn’t hard and pretty quickly things like that 4-edges bit fall out, and that’s one hell of a handy weapon. Are there more?

Is any bit of the above process hard or even particularly time-consuming? No. Its just simple stuff, applied simply, one step at a time in simple and even obvious ways. Just plod along thinking it through, step-by-step. The only things that screw it up are the exceptions/missing-tiles – but even those tend to fall out in fairly clear-cut ways when you carry them back to the game and ask yourself, What would happen if these were present in the game? Would they significantly change things or would they just be irrelevant? Why? Does it make things easier or harder? For…everyone or just in these special cases? Do those special cases matter? Really?

It is easy. A bit laborious I’ll give you, but easy enough that just spending time and low levels of effort will get you there – things to fiddle with in your head while in the shower or commuting – and the pay-backs are strong and close to immediate in your games.

On holding the bar and setting expectations:

No, you’re way overstating and in the process affirming the dilettante’s self-reassuring assumption of, “That’s too much work…” Rather than holding up the clearly visible and should-be-rotely-assumed goal: Of course people know these sorts of things about the games they play.

The idea that things like the above aren’t an automatic part of playing any game, that they are just as obviously necessary as knowing the rules, is something continues to baffle me. What do you think of the player who asks the same questions about the game rules, makes the same mistakes, again and again and again, game after game after game after game after game after game? The same rules questions. The same mistakes and stumbles. Every game. Again. Why is that any different than a player asking and stumbling and tripping over the same questions about the track-tiles in a game, game after game after game after game? How is it different? The track tiles and their arrangements are just as much game rules as those about selling shares or running trains.

That said, I’ll happily admit that it took me a long time to get to seeing the above and using them constructively, starting from scratch with no guidance, but that wasn’t for lack of pushing. It was manifestly obvious to me that something was possible even if I didn’t yet see what it was, and so I hammered away and didn’t get far for a while. (It took a comment from Mark Frazier before the flashbulbs all went off)

Estimation of effort and structural similarities to trick-taking card games:

At no point am I deriding people who haven’t learned or figured out this stuff. I am deriding those who aren’t even trying. We all start out not knowing. The question is, What are you doing about that?

I assume you play or have played Poker or Rummy or Canasta or Euchre or some such. How many cards are there in a standard french suited deck? 52? How many suits? 4? What are the suits? Hearts, clubs, diamonds, spades? How many colours? 2? How long is each suit? 13? What are all the cards in a suit? Ace, 2, 3, 4…10, jack, queen, king?

Simple, right?

You know all that, and I bet know it without a second thought and consider it “easy” and “automatic”. You likely use this knowledge in deciding what cards to play in games like Hearts without blinking. 1830 track tiles are not substantially different. They are just funny shaped cards. Their particulars are a bit different, but not a lot different: they just have a colour and 1-4 lines drawn across them in some pretty limited and standardised ways. They’re actually simpler than playing cards!

You also know the various melds for playing cards like 3 and 4 of a kind, runs of cards in order etc. Track tiles are also laid out in ordered structures, essentially cards in a shared tableau we call the “board” and the placement rules are even simpler than those for say Poker melds: Put down any tile anywhere so long as it:

a) Matches the type of what's underneath it.
b) Doesn't change what was there before.
c) Can trace a line from the new tile back to one of your
station markers.

And that’s pretty much it. (Everything else is basically an edge case or exception) Or if you want:

a) You have to follow suit.
b) The card must be bigger than the previous card if any.
c) Some connection rule which maybe doesn't map to
trick-taking card games well.

That’s really not so hard.

This isn’t a question of me operating in realms beyond mere mortals. Ptui! There’s not a single damned thing listed out above which you and every other reader here can’t observe, utterly and completely, in a few seconds. I’ve done nothing unusual above beyond articulate something that’s mostly obvious in one (hopefully) fairly cogent lump.

And of course, the parallels in Carcassonne, honing in on structure:

Carcassonne tiles have basically three types of features: castles, cloisters & roads. Each feature has simple constraints/patterns: castles always join 0 or 2 corners of the tile; cloisters sit in the middle of the tile; roads always run from the midpoint of the edge to the center of the tile, are never inside castles, and there can be 0-4 of them. And…that’s it. If you want to add in the river, it follows the same patterns as and is exclusive of roads. That’s pretty much everything structurally. Everything from there is about the distribution, how many of this tile versus that.

And I don’t think memory is really useful – certainly not in the presence of a tile sheet that’s just handed out – or for 1830 either. It isn’t being able to chant off how many #45s there are in the game (2), but rather understanding the patterns and rules of the system that’s been built. What is possible? What isn’t possible? What are the constraints? Which priorities does this create on players? How do you detect, determine and assess those? What edges does this knowledge create and how can you use it? Etc. None of that is based on learning tile counts, though that tends to happen as a side effect, but instead on understanding the implicit rules of the game as explicitly encapsulated in the tiles. There is a pattern and a logic and a set of structured limits there that can be readily understood and used.

In Carcassonne players learn really quickly to count the number of open edges on their castles. The more edges, the harder it is to ever close. Simple enough and not a memory thing. 18xx track has similar structures: 2 routes maximum on an edge, no more than 4 connected edges, 3 basic track types, 9 co-existings, 10 switches, all brown tiles are pairs of switches (there’s a new one for you)… All these things define the space in which the game happens and implicitly define the game rules even if they never have words put to them in the rules. They are just as much the rules to the game as what the train limit is or how much money the players start with.

So learn the rules to the game.

goes around, comes around

Until now the development of 1820 has been mostly discussed on BGG. Given the new blog stack etc, it seems time to bring that back home.

1820 has been developing apace1 and is now in rather fine if not-quite-complete fettle. I don’t know that there are any problems2, but the end-game hasn’t been fully proven out3 and I don’t think I can adequately validate that here. At least not within my lifetime. To the bat c…, umm, external development! So play-tester copies need to be made and that means not only more use of XXPaper’s new-found support for The Game Crafter, but also getting John Tamplin’s/Deep Thought Game‘s track-tile generation4 and production system setup here5.

So, what to do while that’s going on? I’ve been talking about setting a game in Java for a few yearsnow, but those ideas are too undeveloped to use now. 18RT is an older and troubled design. Many of its ideas were taken by 1820, but not all and while most of what’s left is crap, perhaps there are worthwhile bits to rescue. Thus 1836 is born – in Cuba7 commemorating Gaspar Betancourt Cisneros‘ founding of the first railway service in Camagüey (aka Puerto Príncipe aka Port-au-Prince)8.

Sugar train

In launching any new design it is always easy to make it a derivative or extension of the prior design. While I don’t want difference for difference’s sake, 1836 should stand on its own feet as an independent and original design.

Already a troublesome goal.

Masthead?

The center of the game of 1836 is Cuba’s sugar trains. Those are the minor companies that start the game.

Sugar train

Then, later, come in the trams to ferry people – these are the major companies. It is unclear which might be more profitable.

As Cuba is poor, 1836 will not be a rich game. Instead the expectation is that players will be deep in debt for the entire game, but through asset growth their net values will end up being positive (maybe) by the end of the game. Figure winning scores in the $hundreds, maybe just over $1,000-ish after accounting for a fat handful of loans (eg: ending the game with $5,000 in assets and $4,200 in loans for a net score of $800).

  • Basic economic model the same as 1820 (incremental capitalisation, where shares pay, no half pays etc).
    • Stock movement is a little different:
      • Pay a dividend of your stock price to move up.
      • Pay a dividend of double your stock price to double-jump.
      • Pay less and fall.
      • Fall again if you didn’t have a train.
  • A variation on 1820‘s free track system.
    • No simple track.
    • Every hex is a double dit.
    • Double dits can then upgrade to OO and more typical green cities (eg #14, #15, etc).
  • As Cuba is long and skinny and free-track-like systems don’t work too well with narrow constraints, I’ve “fattened” the island10.
    • This made the map too large, and so I’m cutting into two sections along the coloured lines seen below, with a two-hex overlap between the sections.
  • Players start with no capital, but can borrow money.
    • Yes, players take loans, not companies.
    • Loans are probably for $200.
    • Currently expected interest rate is 40%.
  • The train progression is the typical yellow, green, blue, brown, red, gray.
    • Minors can only run/own “G” trains. Majors can only run/own “N” trains.
      • G trains ignore cities and pay dits.
      • N trains ignore dits and pay N cities.
    • Brown rusts green, red rusts blue, gray rusts brown.
    • Yellow 1G trains are rusted by brown and replaced by permanent brown 2Gs.
    • Green trains are thus N trains (for majors only)…and are probably 2Ts.
  • The game starts (SR1) with a ~dozen ~5 share minors,
    • Auctioned by an as-yet-unknown method.
      • I want a simultaneous auction ala 1820‘s lobby system, but do not want to recreate/re-use 1820‘s lobby system.
        • Goa’s spatial auction has been haunting my head.
          • But it is too involved.
          • But I love the idea of players paying other players in the initial auction.
    • Minors are only available in SR1.
    • Minors must start adjacent to ports.
      • On a yellow city.
        • The sole exception to the rule of all yellow track tiles being double dits.
    • Minors can lay two yellow track tiles per OR or one upgrade.
    • Minors do not pay terrain costs for yellow track.
    • Minors have a single station marker until later in the game when they gain a second station marker which may be placed for free(?).
    • Minors start with a 1G train which pays dits and not cities.
      • Yellow dits are worth $5. More in later colours.
      • The 1G rusts in brown and is replaced by a 2G train.
        • This is probably when the second station becomes available.
  • In SR2 and later majors can be started.
    • 10 shares.
    • Two stations (home plus one, free placement)
    • Cannot lay yellow track but can do 2 upgrades per OR.
    • Major’s N-trains cannot run on yellow track.
    • Minors can merge into majors:
      • Each pair of minor shares trades for a major share.
      • Loose shares can pay up or get cash instead.
  • Yellow double dits upgrade to:
    • Green double dits (one of the dits grows a third leg, the other dit gets more revenue)
    • Green OO cities (same spacing requirements as big cities in 1820)
    • Green normal cities, but with 5 legs.
  • Upgrades from there do nothing interesting except that the brown OO tiles have one of the cities growing a leg and the other getting more revenue.
  • No director’s certificates.
    • Same buy-to-40% to float as in 1820.
      • Yeah, this really is its own game…
  • All shareholders are liable.
    • Mostly this means emergency buying trains.
      • Like loan debts in 1820, shares in play are obligated to cover their fraction of the expense.
  • Game ends after…?
    • Probably after N ORs in gray.
    • Intended game length is 6 SRs.
      • Well before Castro.

1836 development map


  1. I guess getting to here in about 4 years is a “pace”. 

  2. I’m not expecting anything big. A cousin or a port might profit from a small adjustment, a terrain on a hex here or there perhaps. 

  3. To wit the tension BR and the final viable with a FLOOD. I suspect that the game is a little too heavily canted against the final viable company, but that’s dashed hard to tell conclusively. 

  4. The software stack, custom die for my Ellison Prestige Pro and whatever physical system they use for die registration. 

  5. Conceivably I could hack ps18xx to produce track tiles to fit DTG’s dies, but I expect that bleeds would be a problem. 

  6. I’m going to miss using ps18xx for track tiles… 

  7. I’d originally intended Ireland, but it seems mannerly to give Ian Scrivins’ 18Ireland some room. 

  8. Albeit horse-drawn. While Cuba has one of the most extensive railway systems in the world, arguably the largest per capita, Cuba operates on small scales. 

  9. But can borrow money at only faintly usurious rates. 

  10. Hopefully still recognisable. 

Shivering Newness

Welcome to the new old blog.

In short I’m moving off Wordpress and moving to a static-HTML solution built atop Nikola. Why? Because it doesn’t come with the load and security concerns of Wordpress, PHP, database servers, XSS, etc. Smaller, simpler, easier and rather more care-free, not least across upgrades.

The old blog:

The prior blog format

Some features are being lost in the transition:

  • dict integration (I’d link keywords to their dictionary definitions) is gone. Mayhap I’ll get around to writing an extension for PyMarkdown for that, but it won’t be now.

  • Automatic cross-linking of keywords and phases to other pages/sites. This mostly means that a lot of links to BoardGameGeek for various game names have fallen out. The names are still there, but the links are not. Again…maybe I’ll write an extension some day to do that.

  • Comments. They’re gone. Sorry. I’m not yet sure what I want to do here. Isso is a strong possibility – not least because I’ll have a possibility of porting the old comments over – but I don’t want to hang up this migration with the larger question of what comment system to use.

  • Image galleries are not quite so nice. Sigh.

And of course there was an excuse for a visual redesign. I so rarely do UI work; this was rather enjoyable.

Ahh well, I now see 20 things to fix 5 seconds after hitting deploy. ‘Tis ever thus. If you notice any problems, please feel free to drop me a note at the email address in the footer.

Let run the maps of foreign lands

I’ve finally (ha!) gotten around to preparing three of the maps I put together for commercial publication for free print-and-play:

  1. Age of Steam: Wales
  2. Age of Steam: SE-Australia
  3. Age of Steam: Denmark

Age of Steam: Wales

Age of Steam: Wales features a lot of terrain, multiple track gauges, and different Links for narrow and standard gauge track. The result is a remarkably smooth game which rewards track and expense planning more than most maps.

Playtester feedback (which stretched over a year) consistently rated this game highly with couples (which surprised me).

Age of Steam: SE Australia

The changes in Age of Steam: SE Australia are large, sweeping and easy to under-estimate. More work went into this map and the analysis behind it than any other two maps I’ve designed put together (other than Denmark). There’s a lot of months spent with spreadsheets in there. But that’s what happens when you rework the a game’s economic system from scratch.

Age of Steam: SE Australia introduces an entirely new economic system, more dynamic and player responsive than Age of Steam’s default system, and one which bears surface similarities to Steam’s system (but was developed long before Steam’s release), but puts much heavier focus on accurate long-term planning and precise execution than Steam’s system – most especially end-game planning starting in the very early game.

And yet it seems so simple and fluid on the surface. No more income reduction until the very late game, simpler expenses calculation, several limits relaxed…so nice and easy…and then it isn’t. If anything the game is tougher and crunchier than classic Age of Steam…but it is easy to miss that until the late mid-game when you’re suddenly painfully haunted and crippled by your early game.

Age of Steam: Denmark

Age of Steam: Denmark is the culmination of the changes started in Age of Steam: SE Australia; taking the new economic system introduced there and carrying it all the way forward to also rewrite how Links are handled with an entirely new and somewhat ground-breaking definition of the Locomotive action.

Yep, you can upgrade from 2 Links all the way to 9 Links…in one upgrade action…but not with Locomotive…

Without reservation, I recommend three players here. Try dominating the Locomotive action every single turn until the early late game…and then upgrading all the way to your end-game Links in one step (and a lot of income). There’s a fundamental opportunity for a fully viable (but not dominant) hail mary approach to the game here that’s simply not seen in other maps. That, and auction price management becomes an even bigger deal than usual.

Age of Steam: Denmark marks the zenith of my explorations into Age of Steam.

Enjoy!