Other Wise

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Commentary and processes of J C Lawrence: systems architect, contrarian, theorist, sailor, hacker, virtual world designer, linux-user, aquarist, disquisitor, cat breeder, raconteur, game designer, ludophile, bibliophile, numismatist, speculator and theologiser

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Early Experience: 18EZ

18EZ is marketed as an easy entry path into the 18xx for players new to the 18xx and without an experienced 18xx player to guide them into the field. The stated hope is that new players should be able to pick up the box and be easily and enjoyably playing an 18xx-like game without great effort or a large time commitment.

A key point here is that I am not in 18EZ’s intended audience and am partially incapable of reviewing the game for that reason. I run a monthly 18xx group and play 18xx often. As an experienced player, I teach 18xx to new players every month1. I have a reasonable idea of what it takes to guide a new player into the 18xx and can support that notion with direct and recent experience on both sides of the student and teacher fence. But, I’m no longer qualified to comment on the new-user never-played-an-18xx-before starting-from-scratch experience, the experience of a brand-new player faced with an empty table and expectant players who want to find out what this 18xx thing is all about. I’m a bit past that now.

I evaluated 18EZ on two grounds:

  1. Does it succeed in providing a system for new players to ease into and learn the 18xx so that they can then reasonably move on and play the other games in the series?

  2. Is the learning course that 18EZ provides sufficiently attractive as a game or as a set of games to maintain the interest and be thought worth playing by such potentially new 18xx players?

Overview

18EZ consists of three games: Level-1, Level-2 and Level-3. Each level builds on the one before, in sum providing a sort of ladder of increasing complexity which in toto introduces most of the 18xx concepts.

The Good and the Bad

Technically, Level-1 succeeds at the introduction problem, and fairly well to boot. The Level-1 game is extremely simplistic, but introduces the core notions of track and running trains in a coherent fashion. In game terms, it is also about as interesting and attractive as paste3. For introducing those key early notions, it does well, albeit painfully. I would be surprised if any set of new players played it for more than 10 minutes before throwing up their hands and asking, “Where’s the game?”

The Level-2 game is similar. The map is mostly symmetric and thus entirely lacking in positional texture. With small variation, anything interesting accomplished anywhere on the board can be replicated in each of the other sectors for similar effort and rewards. While this quality is good for learning, it is less interesting as a game-quality. There are a few small shortages in the tile-set, mostly in the simple yellow-tile upgrades. but they should rarely make an appearance or have a significant effect. What is left is a little dance around priority, operating order, and the key question of who gets to buy the first 3-train and the first 4-train (to rust the 2-trains). Game-wise, again, there’s little here4. There’s very little ability for players to differentiate, even less reward for them differentiating, and the handling of stock value and capitalisation is fundamentally broken (more on this later). Due to its greater complexity, there’s more to the Level-2 game, but there’s little if any extra game-value, just more moving pieces. Like Level-1, Level-2 is a game of going through the motions as an exercise in building familiarity. There’s no texture, no differentiation, and no character for the player’s to exploit and build positions around; just a system laid out for the players to become comfortable with. This time however, due to the additional complexity, I can understand new players playing for a while, perhaps even finishing a single game before quitting in exasperation over looking for the game. I’d be surprised if any ungoaded player willingly put them selves through more than one game of Level-2.

Level-3 is the presented as the Real Deal for 18EZ and is also where the main problems come into sharp relief. Most of the new materials added, like the private companies, are pretty ignorable5. There are two problems, one introduced in Level-2 (but not such a problem there due to the general lack of game at that level), and the other brought in newly with Level-3.

  1. Broken company capitalisation

  2. Flat stock market

The resulting exercise teaches almost as many bad lessons as good, while continuing to have few grounds for interest as a game. I would expect new players to struggle through Level-3, thinking they’re learning the ropes, perhaps even for 2 or maybe 3 games at the outside, before giving up in exasperated exhaustion. As written, there’s just not enough game.

Broken Company Capitalisation

In Level-2 and Level-3, companies float as soon as 5 shares have been bought out of the IPO set, with the resulting companies starting fully capitalised6. As with other 18xx, stock prices fall one row for each share sold. Like 1826, 1832, 1846, and 1870 and a few other 18xx, shares in the IPO pool pay into the company treasury. However unlike those games, companies in 18EZ are not allowed to buy back their shares from the Open Market (and can’t issue their shares to the Open market to raise capital — but that’s a lesser point). This is a severe and even crippling problem.

First, some background: The 18xx are games of capital management. They are capitalist wet dreams. Oh there’s the whole business of companies and trains and track and stations and tile upgrades and stock prices and what-not, but that’s all just frilly distracting glamour on the core of the game: management of capital. That’s all the players do really: they manage capital. They invest that capital in shares in order to earn dividends and stock appreciation, thus adding to their capital. They float new companies so as to gain control of yet more capital via capitalisation, and then leverage that larger controlled capital into accelerated growth of their own capital. They manipulate the market and the trains and all that other palaver so as to minimise the risks to their own capital while maximising the risks to other’s capital. They manage capital from the moment the game starts until the moment the game ends, and they measure their success (score) in the game by, yep, measuring their total capital. The 18xx are games of capital management.

The problem is that 18EZ allows capital to be destroyed without any recovery, and that prevents capital management in any useful sense. In a standard 18xx, like say 1830, shares in the Open Market pay into the company treasury. While this may be somewhat counter-intuitive, it provides a reward and recovery path for a company that has had its share price trashed: all those Open Market shares are now paying their dividends into the company, capitalising it, and increasing its viability as a company. Thus the director of a company whose share price is trashed may wince, but they also appreciate the resulting influx of capital as those shares pay into the company treasury. The company is weaker…and yet stronger, and that trade isn’t such a bad one. And, most importantly, company presidents are able to manage their company capitalisation via keeping shares in the Open Market7. In all the games I know of that have IPO shares paying into the company treasury, the game also allows companies to buy back their own shares (at the new low market price) and thus still receive the capitalistion benefits of the shares8. In this way a company director in those games can directly manage his company’s capital and capital income.

In 18EZ Level-3 share shares reduce stock price, just like normal9. Additionally shares out of the IPO market cease paying into the company treasury. The result is that it is in every 18EZ player’s interest to move all their competitor’s shares out of the IPO market and into the Open market as fast as possible, thereby not only destroying their opponent’s share value, but also destroying the ability to further capitalise the company without withholding. There is no risk to a player in destroying another player’s share value in this way. There’s nothing but upside: the other player’s net-worth (ie score) is reduced and their companies are greatly weakened due to lost capitalisation ability. All with no cost or risk to the trashing player! This free supply of You_Lose! activity is not present in other 18xx, and for good reason: it encourages pathological and abusive behaviour.

In short, 18EZ’s pattern, which directly encourages share trashing without any value return for the destroyed capital value, encourages abusive and pathological behaviour. Once past the 3rd Stock Round, the primary incentive of every player is to ensure that all his competitor’s share-prices are pushed down to the floor — and he can do that very easily and with no cost or risk to himself.

18EZ also teaches players to withhold regularly, frequently, as the only way to capitalise their companies once they’ve run through their early train money. This habit is death in a normal 18xx. The base 18xx pattern10 is that players should never withhold dividends unless it is either with their trailing/trash company11 or the company can thereby immediately buy a permanent train after withholding. 18EZ’s effective insistence that further capitalisation is only possible via withholding (combined with the flat stock market) directly encourages players to withhold frequently; a habit that will sink and damn (and befuddle) them in almost every 18xx game they later play.

The big problem is that these traits destroy much of the value of the game as a teaching tool. The game as currently written teaches its players to play badly, and to make the wrong decisions for the wrong reasons, thus reducing their ability to play other 18xx games until they un-learn the bad lessons 18EZ taught them. It does this by rewarding them for playing badly. It teaches them that capitalisation control is non-existent, and it isn’t, not in every other 18xx. It teaches them that stock trashing is free, obvious, and carries neither risk or penalties, and that’s simply not true in every other 18xx. It teaches the new players that having your stock trashed is an unmitigated bad with no possible upsides, and that there is nothing you can do about it except suffer, and that too is not true in every other 18xx. It also teaches new players that capitalisation is fixed, that there is no such thing as creative capital destruction12, and that capital under control is actually an almost completely illiquid quantity, and yes, that is just not true in every other 18xx. Finally, it teaches players that there is little to no penalty for withholding dividends, and that managing withheld dividends and capital across companies is mostly unimportant, and yes, that’s also not true with every other 18xx.

I expect an 18xx-teaching game to teach new players good habits and patterns of thought regarding capital management. Or at the very least, not to teach them bad habits and sloppy thinking that will kill them as soon as they step into a real game. 18EZ fails on this score.

Flat Stock Market

18EZ’s stock market is a model of equilibrium. Every stock-appreciation delta is $10. It doesn’t matter where the stock is in the market, right or left, up or down, the deltas are always $10. This seems nice and simple, and it is, but it also loses a key value of the 18xx: the rewards for getting a stock’s price marker to the right.

In a typical 18xx stock market, the stock-appreciation for shares far to the left can be but a few dollars. However, if a stock manages to get to the other side of the stock market, far to the right, then a single price-appreciation step may easily add $50 to a share’s value, rather than the (say) $3 for another share far to the left. The varying rate of stock-appreciation across the stock market is the foundation of several core lessons and principles of 18xx. As roughly 70% of a player’s final net-worth (and thus score) in a typical 18xx game is the value of their portfolio, getting high share values for their companies and thus having their portfolio stuffed with high-appreciation shares is critical to successful 18xx play13 — but 18EZ loses that lesson in its entirety by having a flat stock market, and the result, again, is that 18EZ teaches its players bad habits and poor decision-making processes.

Fixing the problems

Fixing the above problems isn’t hard. While the problems are large, they are also easy to address. There are two obvious approaches to fix the capitalisation problem:

or:

Both approaches work, both approaches restore the capital balance of the game, and best of all, both approaches teach new players that they can in fact predict and constructively manage capital into the future. The players learn the right lessons. The first form is simpler and perhaps more obvious for new players. The second address is more complex and allows for a much larger range of creative options, but may be thought too confusing for new players (a fair complaint).

Fixing the stock market is also relatively easy, but requires some number juggling. The current stock market has 6 rows and 14 columns, for a total of 18 unique stock-price ranks. While I’m not fond of the shape, it isn’t terrible for this sort of learning game and could be left unchanged. What needs changing are however the stock prices! Currently they range from $20 – $200 in steps of $10. Something vaguely like the following stock-value sequence, counting in diagonal rows, would be better14:

$30/$35/$40/$50/$60/$70/$80/$90/$100/$115/$130/$145/$160/$180/$200/$225/$255/$300

Happily there is definitely still time available for a rules-errata and all the above fixes can be made easily and even fairly cheaply.

Summary

18EZ almost works as a teaching-game. It has most of the right basics together, but a few critical flaws prevent it from succeeding. However even with the flaws fixed, it is difficult to see 18EZ ever being more than a somewhat laborious exercise rather like the Geography games played in High School, which while they were certainly educational, were also abysmal games. With the fixes, as a $45 exercise to be done a few times just to learn the 18xx, 18EZ will probably work fine. At this level it is effectively paid-training that is discarded once it is (rapidly) surpassed. The problem with such paid-training is that it had also better be enjoyable or most of the audience will abandon their good intentions early rather than drudge through15. This is perhaps the main area where 18EZ falls short as a game. It is, pardon my candour, almost inescapably boring at all levels simply because there is no differentiation, no texture, no character, and no significantly unique qualities to player or company positions, and it remains at heart a training exercise that feels more like a training exercise than a game.

Even with fixed capitalisation and a graded stock market, the game remains abstract and texture-less. The very genericy that makes it easy to use as a stationary bicycle to learn how to pedal, also removes the differentiation and character that are the keys to human interest. Most 18xx games are tightly tied against both a specific period of history and the specific terrain of a certain part of the world. That simple aspect of realism, of relation to the player’s world, does a lot to resonate with players, even if they don’t know that period of history or that part of the world well. Some of the names ring bells, they understand mountains and rivers and lakes, they kinda sorta see why there might be cities in some of the locations just by the geography and their faint memories of skipped history lessons, and all the names of companies and locations ring with echoes of the culture and language of that time and part of the world. While a subtle effect, it is surprisingly emotionally powerful, and 18EZ not only loses that, it also aggressively devalues it, and I don’t think that double-whammy can be recovered from.

Footnotes
  1. For example, this coming Monday I’ll be teaching 3 more new players. ↩
  2. I had quite a surprise here. I’d not expected half-pays in a teaching game. ↩
  3. The white starchy edible glue used in pre-schools and kindergartens. ↩
  4. And the grind just to get through the trains is painfully slow and tortuous. ↩
  5. The private companies are pretty over-priced and entirely bland and uninteresting. Only the $20 trigger is clearly worth its face value. The rest are arguably over-priced and thoroughly uninteresting. They’re certainly not worth bidding much more than face value for, and in general I’d feel advantaged to start the game without owning a private company just due to the greater capital flexibility. ↩
  6. 10x par price as the starting capital for the company. ↩
  7. In fact it is common for company presidents to sell shares of their own companies into the market just to get that extra capitalisation (among other details). ↩
  8. The stock-price may be hurt, but the company got some free money (the difference between the par-price and the new lower stock-price). ↩
  9. ie The stock-price moves down one row per share sold. ↩
  10. This is a very tough one to teach — trust me on this — new players have a notably hard time internalising this lesson. ↩
  11. And there’s another hard-to-teach distinction. ↩
  12. It is creative capital destruction, the cyclical creation of vibrant new capital via the destruction of other older capital, that I see as the real heart of 1830-style 18xx. It also happens to be a fairly decent game-model of our rapaciously cannibalistic industrial economy. ↩
  13. In fact it is easy to predict the winner of most 18xx games: Which player owns the most shares of companies at the top/right of the stock market? Most of the time that simple heuristic will give the right answer. ↩
  14. Sucked purely from the end of my thumb with no attempt to verify balance across the arc of the game. ↩
  15. Just ask any trainer at a gym! ↩

Twitter Week: 2009-09-12

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Twitter Week: 2009-08-29

Variants for 1830

Note: David Reed’s Geocities page, frequently linked and quoted below, will be disappearing as Yahoo! shuts down Geocities. Thus, those links will break, and also in part, my rush in getting this page and the related files assembled.

Reading Railroad by Alan Moon

David Reed writes:

Take a Ride on the Reading by Alan Moon, published originally in The General volume 23, number 6 (and due to be republished in the Train Gamer’s Gazette volume 2, number 4), added the Reading Railroad to the game and suggested several other changes to the rules of play.

I’ve assembled a PDF of the rules for the Reading Railroad Variant. Source files for the new track tiles and shares may be found here and here.

Coalfields by Alan Moon

David Reed writes:

The Coalfields by Alan Moon, published orginally in Games International number 6 (and recently republished in the Train Gamer’s Gazette volume 2, number 2), added the Norfolk and Western Railroad; an extra portion of the board; two “7″ trains; off-board connections that can be the center of a run, instead of the end; and suggested several other changes to the rules of play. including rules for combining The Coalfields with Take a Ride on the Reading.

I’ve found two supporting archives, fortunately non-contradictory: one and two. The former has the advantage of providing both the new rules and colour images for the new map sections, tiles and shares.

Update: Please note that the colour PDF I’ve assembled above for the Coalfields expansion prints the map extensions slightly too small. It doesn’t accurately match the 1830 map. The resulting map sections, while undersized are certainly playable albeit also ungainly and clumsy. Oddly the track tiles that go onto the board are however just fine. The track tiles placed by players appear to be small by a similar fraction to the map extensions.

I have not yet determined why this is true, or what the correct scaling factor is. I estimate by rough eye that it is not far under 10%.

Perre Marquette Railroad by Federico Vellani

David Reed writes:

The Pere Marquette by Federico Vellani, published in the Train Gamer’s Gazette volume 3, number 1, adds a new western railroad.

I’ve stashed a PDF of a photocopy of the original magazine article documenting the new company and related rules changes.

Bonds/Corporate Debt by John Puddifoot

David Reed writes:

The 1830 Debt Variant by John Puddifoot, published originally in the Train Gamer’s Gazette volume 1, number 3, added the ability for companies to go into debt (similar to, but not exactly like the debt rules in 1856).

I’ve assembled a PDF of the rules for the Bonds/Corporate Debt Variant.

Chesapeake Bay Bridge by Carl Burger

David Reed writes:

The Chesapeake Bay Bridge by Carl Burger has not been published anywhere yet, to my knowledge. It adds on to the Coalfields variant. A bridge between hexes J14 and I17 is the only added terrain. K15 (The N&W base) is now has room for two tokens, and its value changes based on phase from $30 to $50 to $60. Two tiles are also added: one each of tile 145 (from 1870) and 220 (from 1835).

I’ve been unable to find any further details.

“Simple” by John David Galt

David Reed writes:

The “Simple” 1830 variant by John David Galt adds the Chicago, Milwaukee, St. Paul, & Pacific (CMSt.P&P – The “Milwaukee Road”) starting with 3 tokens in hex D2 (Flint MI) and the Louisville & Nashville (L&N) starting with 3 tokens in hex H4 (Dayton OH). Both companies have standard 1830 share set-ups (President: 20% and 8 x 10%). The third “6″ train should be used, but no other trains should be added. These should only be used with 5 or 6 players. The variant also adds a couple of gray tiles, which will be available when the first six train is sold. The first is a tile identical to the Toronto tile in 1856 for New York City; the second is a “B” tile (two hole city with five exits, worth 70). Only one of each of these tiles is added.

In an email exchange with John David Galt about this variant, he commented:

What’s up on that long-dead site is all there is. The variant was nothing more than a one-liner response to someone on the 18xx mailing list who wanted an 1830 variant with more companies.

I’ve been unable to find any further details except for Keieth Thomasson’s mention listed below under the Nickel Plate variant.

Nickel Plate by Wolfram Janich

Mentioned in several places, including in Kieth Thomasson’s issue 138 of For Whom The Die Rolls, December 2006. Quoting from that magazine:

The 1830 Variant Box No.1 is just enough information to intrigue but not enough to give any idea what this actually contains. This is published by Wolfram Janich and contains the Wabash Cannonball Variant by Harry Wu, the ‘Simple’ Variant by John David Galt. The rules to these are in German and English. There are also two alternative maps by Wolfram.

– The Wabash Cannonball variant

This introduces a new company, the Wabash Railroad, which starts in hex H2. The map is extended to the west, moving Chicago a couple of hexes west in the process. There is an overlay for hex D20, which makes the hex north east of the NYC base a value 20 station in a grey hex. There is one additional train of type ’2′, ’3′, ’4′ and ’5′, and eight ’7′ trains, which cost $830 and replace the Diesels. You cannot trade in a train for a ’7′ as you could for a Diesel. There are also a few extra tiles – one extra 57, one extra 15, and two brown tiles that are the same as a 15 tile and valued at 40. These brown tiles are not numbered, but the design has been used in a number of games and is identical to tiles 448 (1854/1889) and 776 (1860).

– The ‘Simple’ variant

This variant introduces two new companies. The CMStP&P starts in D2, while the L&N starts in H4. The optional third ’6′ train should be used, but no other trains added. There are two new tiles – both grey – which come out when the first ’6′ is bought. One is an upgrade to New York, as used in 1856, and one upgrade for the Baltimore/Boston tiles. This variant is recommended for 5 or 6 players only. I presume it is called the ‘Simple’ variant because the changes are simple, not because it makes the game simpler :-)

– Alternative Maps

These maps are based on random maps produced by the 1830 computer program. The maps produced by the program can be very unbalanced, so Wolfram used those as a starting point and then reworked them to get a better balance. I have a number on order from Wolfram, but don’t know quite when to expect them. Half of those are already reserved. If you’re interested I’ll be selling them for £20 plus post and packing, which is about the same price if you buy directly from Wolfram. It’s quite light, so post and packing should be£4 at the most for the UK. Let me know if you want a copy.

I’ve been unable to locate any further details on Wolfram Janich’s Nickel Plate variant.

Wabash by Harry Wu

Described briefly above by Kieth Thomasson, and pictured below by Knurt on BoardgameGeek:

I’ve been unable to find any further details, especially regarding the rules.

Westpark by Warter Sorger

I’ve assembled a PDF of the rules for the Westpark Variant.

Twitter Week: 2009-08-22

 

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